Wednesday, November 14, 2007

Happy Hallowgiving

Goring-on-Thames

My daughter was miserable. Halloween in England didn’t cut it. The only ten-year-old in our neighborhood out trick-or-treating was babysitting the little ones. The young children came in store-bought costumes and said “Happy Halloween” instead of “trick-or-treat.” There were few jack-o-lanterns and certainly no children’s parade. It was small consolation that she could save her Goth chick costume for next year.

My mother-in-law came to the rescue. She proposed we gather the four grandchildren to celebrate Halloween and Thanksgiving together. Ever since they came to visit us for Thanksgiving, my English in-laws have been celebrating the holiday. Everyone loves the idea of coming together for a meal to give thanks.

I agree. I am already missing not seeing my extended family in NYC. My cousin cooks for the 19 of us, and it is the only time we are all together other than weddings. Amazingly my mother-in-law recreated the American feast: it tasted just like home. She even made my mother’s stuffing and cranberry sauce. She baked her first pumpkin pie and my favorite of apple pie.


My husband’s family has become my own over the years despite the cultural barriers. His mother is a retired occupational therapist who enjoys painting lovely watercolors. Her husband has the same first name as my father so sometimes we refer to him as Captain. He’s half Chilean and met his wife because his father sold a Devonian farm to her parents. The Captain has a memoir out now about the Tanganyika Mutiny from his time in the royal navy.

When the Captain isn’t writing, he’s bell ringing at the medieval church. They live in a quaint village, Goring-on-Thames, surrounded by bucolic countryside. It’s like stepping into a Joanna Trollope novel visiting my in-laws.


Since I have a brother but no sisters, it’s a bonus having sisters-in-law. Henry's youngest sister works in international development, designing and managing HIV and AIDS prevention and care programs in low-income countries. She was just back from China and has worked in Africa too. She has a beautiful old flat in Bath. My daughter thinks her aunt dead cool. It’s not only her fascinating work; she has a great fashion sense and is wonderful with her niece and nephews.

Henry, his younger sister, Neil and Jess

Henry’s older sister, Jessica Bett, is a planner in the South Gloucestershire Council. She has a degree in industrial archeology and collects old green glassware. Jess has an easy laugh and a gentle nature. She and her husband, Neil, live in Bristol.

Neil Bett is Scottish and a talented actor with a great sense of humor. He and a partner set up Barking Productions LLP. Actors teach businessmen, bureaucrats and doctors better public relations skills through role-playing. Neil still acts occasionally and will be on Max Bear with Tom Baker. It won't air until Christmas 2008. Jess and Neil have two boys close to my children in age. They get on fabulously.

Henry invented the game of Pirate Bold. It’s sort of like freeze tag but with a hidden treasure. The game starts with, “Ar, Jim lad!” The children run off base looking for the treasure chest while the grown ups tag them by hand or throwing a soft ball (ie. “firing a broadside.”) The best part is eating the chocolate treasure. For the Halloween version, they all dressed up in costumes except for my teenaged son. Granny provided plenty of extra treats and “pudding” as dessert is called in England.

It also happened to be November 11th so they went to a village service at 11:00 AM with girl and boy scouts and war veterans. Remembrance Day is like our Veteran’s Day only so many more Brits died in WWI. Everyone wears paper red poppies and dresses up somberly for the occasion. It was also my brother’s birthday so I called him in NYC and recounted our wonderful weekend. It felt like going home.

Wednesday, November 7, 2007

Lord & Lady Krebs at Jesus College


The best fun of writing is playing location scout. It gets me out of my office and takes me to settings I could not have imagined. Last week I visited Jesus College. Our guide was the Principal himself, Lord Krebs.


Oxford colleges remind me of gemstones. On the outside most look the same in weathered sandstone, but inside are glittering jewels, each one unique and full of history. Many are closed to the public. These ancient rocks are hard to crack.

The Oxford Newcomer’s Club is designed for the other halves. Our husbands/wives/partners are working or studying at the University. The club takes pleasure in arranging special insider tours only for us. The organizers are mostly academic spouses themselves and can relate to our displacement and isolation.

The inner courtyards are quiet and laid with perfect grass, but don’t step on it! It feels like a castle or a monastery. That makes sense since many Oxford colleges were started as religious instituitions. Jesus College was founded by royal charter in 1571, making it one of the middle-aged colleges. The earliest ones date from the thirteenth century.


Each college is like an archeological dig with visible layers of history. Behind me in the first quad photo you can see the original sandstone of the dining hall, pitted with time. To my right is the oldest part of the college, but the third floor and those battlements were later additions. To my left is the principal’s residence.

Queen Elizabeth I founded Jesus College for the purpose of converting the Welsh to Protestantism by training clergymen for the recently established Anglican Church. The queen herself came from a Welsh family, the Tudors. The benefactor, Hugh Price, endowed it with the income from his Welsh estates. It was his idea to start the college. His income was not sufficient, but later graduates have contributed generously to make Jesus one of the wealthier colleges. Traditionally the students were predominantly Welsh, although reform has made the student body more diverse. It is still called the Welsh college.

Lady Krebs is Welsh, but her husband is not. They are both biologists. She used to teach at a girls’ technical college, and he has been a professor of ecology. He is now devoted to running Jesus College. His father, the former Lord Krebs, was also an Oxford college principal. Despite their lofty titles, I found the Krebs to be very warm and engaging. They were more Katharine and John than his lady and lordship.

Upon hearing that I was American, John smiled and told me the story of his summer in the States. He had taken a research job at Woods Hole on Cape Cod. At lunchtimes he snuck off to sail. Later he drove with his friends cross-country in a red Mustang.

We laughed over the words that mean one thing in English and another in American. A torch is a flashlight, and a rubber is not something you pull over your shoes to keep them dry. The amusing misunderstandings between the two cultures, despite a common language, will be a theme in my third novel. John and Katharine suggested some reading material for my research. They are eager to read NOT CRICKET one day.


Seeing inside the college was an inspiration. The double courtyard windows flooded the dining hall in sunlight. On the walls hung austere portraits of the founders and famous graduates such as Lawrence of Arabia, Harold Wilson and John Nash.


We also visited the old bursary where special guests go for dessert, port and even snuff under the eyes of Queen Elizabeth. There were many portraits of their royal founder in the college. King Charles I’s gold watch resides inside a glass display case. The silver postdates the republic years. During the Civil War, all the colleges had to donate their silver to flatten into coins to pay the soldiers. It amazes me that the Brits went back to a monarchy, but perhaps this is easier to understand if all the nobility were as charming and gracious as the Krebs.

Our college tour ended at the principal’s residence. Katharine served us coffee and cakes, and then John showed us around upstairs. I don’t think I have ever been inside a lovelier dwelling although it was very formal. Delft tiles lined the fireplaces. The large window overlooking the quad and private gardens made the space light and airy, especially on this rare sunny day.



On the walls hung portraits of former principals and impressionist paintings borrowed from the Ashmolean Museum. The oddest portrait was of a vegetable seller with a monkey on her shoulder. The monkey was a trick to lure customers into buying more produce. It was very unusual to have an oil painting of a commoner during the Renaissance.

After coffee, I wandered around Oxford soaking up the setting and taking photos of the turning leaves and golden buildings. Despite being November, it was so warm I had lunch outside. My mind raced with ideas for NOT CRICKET (A MATCH FOR EVE). Should I use a real college or make one up? Lovers kissing became characters, and I walked their paths with a light step. On days like this I feel I have the best job in the world.


On the weekend my husband and I saw Elizabeth: the Golden Age. The cinematography was stunning and the acting was almost good enough to make you ignore the weak script. “There is a wind coming which will sweep away your pride,” says the Spanish Ambassador. Honestly! Forget the Virgin Queen, she was the Cliché Queen. The King of Spain and his mini-me daughter were Monty Pythonesque. Nobody expects the Spanish Inquisition or the Addams Family. Still, the talented Cate Blanchett was worth seeing. Even if this sequel was disappointing after the perfection of the first, Elizabeth I was a fascinating character. How amazing to leave the theater and pass the college she had founded.

Wednesday, October 31, 2007

Savoring Paris


One of the best things about living in England is having the rest of Europe at your doorstep. A long weekend in Paris is easier than popping down to NYC from Maine. The high-speed Eurostar train travels between London and Paris in only 2 1/2 hours. Security and passport control are so fast they recommend arriving only a half an hour ahead of time. After zipping through the Chunnel (the Channel Tunnel,) you just step off the train and are free to go.

We took the commuter rail to our friends’ house in the western suburbs of Paris. Craig Bradley, the former Dean of Students at Bowdoin College, is now working for the Aga Khan. Craig is helping to set up a series of secondary schools in developing countries.


It is Craig’s dream job, especially given his love of France, but we were sad to see his family leave Brunswick, Maine last year. Elizabeth Webb and their daughters were in my playgroup, and even our dogs were close friends. I can’t go to Popham Beach without thinking of our sunset picnics and ocean canoeing adventures, but happily they come back to Maine for the summers.

Their daughters are attending an international school designed for expats and repats. It is public school with a mini private program for different nationalities to maintain the second language. After the transitional year, the girls now take all other classes in French and are getting close to fluent. If they stay long enough, they can get French citizenship and will graduate with an International Baccalaureate.



The price is that the French approach to education is as regimented and conformist as the landscaping. My daughter's friend said she felt like one of those French trees. Individuality among school children or plants is discouraged. Trees are planted symmetrically and cut into even boxes in parks and along streets. Even the forest trails are numbered and drawn in straight lines with little regard to the topography.


Saint Germain-en-Laye, the birthplace of Louis XIV, is a charming town with little shops and an open-air market 4 days a week. Every transaction is conducted in French, which was great practice. That’s Elizabeth in the fromagerie talking cheese. This was something like my seventh visit to France, and I love their appreciation of fine food. On Sundays after noon you are forbidden to mow the lawn in case that might disturb dining.


For lunch we went to Larcher, a delicious creperie that the children adored. Then our family went to Paris on our own. There was an interesting cubism exhibit at the Musée Picasso and a fabulous Giacometti exhibit at the Centre Pompidou. The view of Paris from the outside escalators is worth the price of admission alone. Sadly, it was overcast for most of our visit, but at least it wasn’t raining. Plus at this time of year, there were few crowds.


My son is studying the French revolution and was writing a paper on Marie Antoinette’s abortive escape from execution. We drove 20 minutes to Versailles and history came alive. At this time of year the fountains are off and the statues covered but admission to the gardens is free. We headed to Le Petit Trianon, a “little” palace Marie Antoinette inhabited to avoid the grandeur of the Versailles court. The gardens there were in the English landscaping style, planned just as carefully to appear natural.

We didn't go hungry. In the mornings the girls picked up fresh baked croissants and pain au chocolat from the local boulangerie. On Saturday night we had a delicious meal at Au Pere Lapin. It was French but without the cream and butter and with an Asian influence. From the street we had a great view of the Eiffel Tower all lit up for night. Dinner is served late, at 8:00 pm or later, and lasts for hours. Rush hour in France is 6:00-7:00 pm, and many Parisians take a long lunch break.

On our last day, my son wanted to see the Conciergerie where Marie Antoinette and her family were held before execution. Prisoners were often tortured before going to the guillotine. After that they would go to Napoleon’s Tomb and War Museum. Elizabeth and I decided the ten-year-old girls would prefer to see Monet’s lily paintings at the newly re-opened L’Orangerie.

My husband proposed splitting into two groups: the death party (ou la partie de la mort?) and the lily party. The guys headed off with ghoulish eagerness. Elizabeth’s oldest daughter joined them as even death was better company than listening to little girls sing fake commercials. Talk about torture! It was my daughter’s second visit to Paris, but she was more interested in her long-lost twin. Hard to blame her.

A test of Monet’s skill was that the girls stopped singing long enough to admire the art. As much as these paintings are almost a cliché, it is an incredible experience to stand in the airy oval rooms surrounded on 4 sides by enormous lily canvases. You feel part of the landscape, like standing at a mountain’s summit.


My favorite part of being in Paris is just wandering the streets, the gardens and along the Seine. We walked half the length of the city to a free outdoor sculpture garden on the riverbank near Le Jardin des Plantes. In France you are allowed to touch the sculpture, as one should.

It was hard to say goodbye to our friends but easier to leave Paris in a downpour. We emerged on the other side of the Chunnel in shock: the sun was shining and the skies bright blue. It felt weird to be speaking English again. The time in Paris with old friends brings to mind one of Fredrick’s Fables where a poetic mouse stores memories of summer to get through the long winter. I shall savor the taste of Paris.

The market pumpkins reminded me that it is Halloweeen. We got some candy but will we get trick-or-treaters tonight? Back in Maine there will be a children's parade down Maine Street. It's not a day you can forget. I suspect Thanksgiving will feel odd too.


My kids as Pippi Longstocking and the BFG in our backyard in Maine

P.S. For those of you who are wondering how I could be in 2 places at once, the Times Record editor decided to sign my political endorsement letters Brunswick rather than Oxford. On Friday 11/2 is my letter for Bob Morrison for school board at-large and on 10/11 was my letter for Dugan Slovenski for district 2. Henry and I voted absentee.

The French have amazing turn-outs. Elizabeth asked a neighbor why, and she replied, "we fought so hard for the right to vote." So did we. Don't forget to vote Tuesday!

Wednesday, October 24, 2007

Shaping a Novel (S.A.D.)


It helps to have two book projects going on simultaneously especially while living abroad. I researched NOT CRICKET while I waited for S.A.D. to come back from my second reader. It was a long wait. There have been a series of wildcat postal strikes in Britain, the worst in 20 years. It made me sad.

The title of my novel, S.A.D., stands for both School Administrative District and Seasonal Affective Disorder. I have always loved puns. The story came to me when I was caught up in a political campaign for building a new school in Brunswick, Maine. Why not plunder my hard-won knowledge of small town politics for fiction?

There is so much beyond a political activist’s influence in the real world, what a relief to be in control of a novel. Although sometimes I don’t feel like I’m really in control. I create the characters, put them in a setting and watch to see what happens. It’s more like directing than playing God.

An appropriate analogy since S.A.D. puts evangelicals on a school board who want to add Intelligent Design to the science curriculum. A lobsterman and a liberal professor fight back, and my protagonist is caught in the middle of the drama. The superintendent pays the deadly cost.

Like any production, there is a large cast of characters working behind the scenes. Education lawyer George Isaacson corrected my interpretation of the law and found my scenario scarily plausible. I also spoke to teachers, administrators and a former superintendent. A couple of professors, a priest, a fire chief, a lobsterman, a pilot, a detective , and a marine patrolman helped with other plot points. The evangelical ministers didn’t return my calls so I just went to services. Plenty of book/internet research too.

After my husband, the first reader for S.A.D. was Kathy Thorson. Like my protagonist, Kathy is new to the school board and has red hair. The similarities stop there as I created Haley Swan before Kathy even thought of running. Sorry to ruin the fun, but my characters are all fictional. Most of the work is imagination. My novels may be based on research but are spiced up with plenty of romance and drama.

My second reader was author Charlotte Agell (check out her new website.) She encouraged me to enliven the narrative by playing out some of the drama in the classroom and through my teen characters. That has been fun! It broadens the appeal to a Jodi Picoult family drama audience. Charlotte, Kathy and George all live on my street back home. How’s that for a small town?

My third reader will be Abigail Holland in NYC, a former Harper’s editor now home with her kids.  After she comments, I’ll figure out if S.A.D. is ready to go to my last reader for a proof read.

Then S.A.D. will go to my agent, Jean Naggar, in NYC for her feedback. Other agents at her medium-size firm might advise. Any major changes would be tested on yet another reader. Once the manuscript is ready, my agent draws up a list of editors who have shown interest (think of a dance card at a ball.) An agent works on commission after the sale of the book to a publisher. Readers just get a line on the acknowledgement page and my eternal gratitude. I also read for other writer/readers.

At the publishing houses a manuscript may get several reads with marketing and publicity involved. A committee makes the decision to publish, and more work gets rejected than accepted. An accepted manuscript will be worked on by editors, copy editors, type setters, book jacket designers, marketers and publicists. Even after the editorial revisions are complete, it will be another nine months or so until you see it at the bookstore.

My agent’s assistant, Marika Josephson, made an insightful comment:

I always thought the Bible was so fascinating because so many hands went into the production of it. And you could see it all in each line if your ears were tuned to it. I never realized that a book you pick up off the shelves even these days is exactly the same. The whole entire package has been touched and sculpted by dozens and dozens of hands. I certainly can't look at books the same way again after having worked in publishing!


Wednesday, October 17, 2007

Horses in the Mist



In the mornings, the mist is often thick over Port Meadow. The herds of horses and cattle come into soft focus as I walk the dog. The sun is low on the horizon, making the most ordinary objects glow. Only in Oxford can swans flying over a river be called ordinary.

The misty landscape is a reflection of my mind as I try to find NOT CRICKET (A MATCH FOR EVE). First there are the characters, shifting in and out of focus and teasing me at the periphery of my vision. Sometimes I think I see them clearly, but other times they fade away.

In my latest version of S.A.D., I decided my protagonist needed a personality makeover and changed her name from Agnes Wolfe to Haley Swan. Time in England is affecting even my American book although Swan is a Maine name. I try to be true to my settings.

The plot is pure fiction. It keeps changing like a folktale passed down through generations. The essential message stays the same, but the story shifts in details and in structure almost organically.

The plot is key to commercial fiction as it drives the narrative. It’s tricky to create a story that keeps the reader turning pages but also resonates on a deeper level. I like to keep the narrative open for as long as possible so as to explore the many paths. A story that doesn’t surprise me won’t surprise you.

As important as thinking is reading. Some books I read for research and others for writing inspiration. I have just finished a most lovely novel, Per Petterson’s Out Stealing Horses, translated from the Norwegian by Ann Borne. It is not long, and the prose is simple, but it says so much with so little. It breaths between the words.

A coming-of-age story, Out Stealing Horses explores the relationship between a fourteen-year-old son and his enigmatic father. The beautiful, raw setting roots the characters and frames the narrative. It is a small community in the northeastern woods of Norway. The narrator is an older man, looking back on a disturbing and formative summer shortly after WWII. When I finished, it was like saying goodbye to a close friend. I miss his voice.

Another story that relies heavily on setting is Ann Patchett’s new release, Run. It takes place close to home in Boston and Cambridge where I attended university. Patchett is one of my favorite authors, and her last novel, Bel Canto, was too good to match. In her latest novel she looks closely at a family and the effects of race and class. Her characters are so real you feel you know them. Run was helpful for me to read because it is set in winter like my first two novels.


Popham Beach, Maine in December

So many authors set their Maine stories in the summer, possibly because they only vacation there. For year-round residents, Maine is defined by its long winter and unpredictable storms. It is what makes living up north unique and special. Don’t get me wrong, nothing beats a Maine summer, but you feel like you’ve earned it after surviving the winter and appreciate it the more.

As it rains and the leaves turn brown instead of flaming red and gold, Maine feels far away. Still, I have to admit that I may be quite happy to see daffodils in February for a change. When I leave Oxford, I will dream about horses in the mist.