Wednesday, September 25, 2013

10X10 Art Show in Brunswick, Maine

Friday night, September 27th is the 10X10 Art Exhibit and Sale. My two watercolors are among the 300 works by 150 local artists. This annual benefit will fund an artist-in-residence program in Brunswick elementary schools. Local restaurants have donated hors d'oeuvres. Come join us!

One of Five Islands

This island is one of five off Georgetown in Maine. The outdoor picnic tables at Five Islands Lobster double as studio space and dining room. In October the light is crystal clear and the crowds are thinner. The lobster is tasty. I return every year.

I usually complete my paintings in one afternoon, racing the tide and waiting for the sun to reveal the shadows. Watercolor captures the flow of the ocean. It is also easier than oil paint to take on location.

This year art time double counts as novel research time. One of my new characters is a homeschooled lobsterman, who looks beyond the horizon. Do you recognize this photo from a few weeks ago?

Lobster Boat at Lookout Point 

Lookout Point in Harpswell is my favorite place to paint, only a 15-minute drive from my house in town. As I work, lobster boats motor in, unloading the day’s fresh catch at the dock. Sometimes I bring home dinner along with my painting.

10X10 Art Show 
Next door venues on Pleasant Street, Brunswick, Maine 04011 
Friday September 27, 2013 from 5-8 pm 
(art is $200, including 10-inch-square frame) 

Public Preview
Thursday 9/26 5-8pm and Friday 9/28 12-3pm 

Wednesday, September 18, 2013

The Lowland by Jhumpa Lahiri

In The Lowland Jhumpa Lahiri returns to her favored themes of cultural duality and assimilation. The late 1960's was a turbulent time in India with widespread poverty and few job opportunities for educated young men. Udayan becomes involved in the Naxalites, a radical Maoist movement to help the poor. Subhash, his cautious older brother, immigrates to the USA for a PhD in science.

Larhiri beautiful prose is layered with an earthy sense of place and symbolic imagery:
"The flooded plain was thick with water hyacinth. The floating weed grew aggressively. Its leaves caused the surface to appear solid. Green in contrast to the blue of the sky. Simple huts stood here and there along the periphery. The poor waded in to forage for what was edible. In autumn egrets arrived, their white feathers darkened from the city's soot, waiting motionless for their prey."
After tragedy strikes in Calcutta, Subhash makes a personal sacrifice to bring his brother's wife to the USA. Young Gauri arrives pregnant in a sari to Rhode Island in winter. She only feels at home when she audits a Philosophy class. The saga unfolds over decades as we follow the family through shifting points of view.
"His  favorite moments were when he was alone, or felt alone. Lying in bed in the morning, watching sunlight flickering like a restless bird on the wall."
Jhumpa Lahiri portrait by Elena Seibert
My one regret (beyond the cover) was that The Lowland centered on Subhash and only tangentially on his rebellious brother. Subhash was a kind, likable character, but he lacked the charisma to carry a novel, and Gauri was too selfish to rouse much empathy. For a student of Philosophy, Gauri lacked a moral code. I wish there had been more about her daughter, a lost child of two cultures. Bela reminded me of Gogol in The Namesake (Lahiri's first novel)but Bela's story was abridged. It's a sign of a good book when you reach the last page longing for more.
"Opening the door, he saw that the tide was in. The sky was bright, the ocean calm; no sign, apart from all the seaweed that had washed like empty nests up on the sand, of the storm there had been."
As much as I love Lahiri's novels, I prefer her short stories. Her character-driven narratives work best in a tighter story arc. The Interpreter of Maladies (1999), her Pulitzer Prize winning debut, was my favorite collection. However, my Indian American friends swear by The Namesake (2004). It doesn't matter where you start; if you read one of Lahiri's books, you'll want to read them all. The Lowland will be released on September 24th, 2013.

Reviewer's Disclosure: this book was reviewed for Main Point Books in Bryn Mawr, Pennsylvania. I received a free ARC but was not otherwise compensated.

Wednesday, September 11, 2013

A new chapter: Middlebury College

Two views of my son's dorm at Middlebury College.
As my son joined the queue of freshman, my advice was:
"Don't run over the photographer."

My son turned to me and grinned. "Don't be so sentimental."

I laughed with him, fighting back tears. It was a long journey, and I don't mean the five hour drive from Maine to Vermont.

Middlebury Town in Vermont
My son worked so hard to get to Middlebury College, and he got lucky too. Middlebury was the first college we visited together junior year. He fell in love with a hilly campus encircled by mountains, the absurd amounts of snow and a cafeteria open all day long: paradise!

President Liebowitz had advice for us parents: "Your job is done. They're adults. Don't worry; we'll look after them." He celebrated Middlebury's achievements and shared a story about a sobbing parent. He told us "to suck it up." We laughed because it beat crying. It was time to let go.

I said goodbye to my son by cell phone. He was rushing off to take a placement exam. I had never felt so alone, not since my mid 20s. My husband was in Maine, meeting with his freshman advisees at Bowdoin College. Our 16-year-old daughter had already left for a semester school on a coastal farm. For one semester, we will be empty nesters. It's not all bad; I can write and paint without interruption. For years I've been looking forward to this gift of free time. But still.

Look, Beth, Small Damages.
In my new found solitude, I headed off campus, crossing the bridge to the charming town. I took refuge in The Vermont Book Shop, overlooking the river. Driving home, I listened to Beautiful Ruins on CD.

Now I'm back at work, writing a new young adult novel and painting a couple of commissions. Classes have started at Bowdoin too. For the first time, my husband's students are the same age as our child. The dog roams the house, sniffing around suspiciously tidy rooms. Our son calls weekly and our daughter emails. They sound happy. We're all adjusting to this new pace of life.

Blog Watch: Happy 5th Blog Anniversary to Cynthia Newbury Martin! Welcome back Donna and A Cuban in London from summer break! Elizabeth Wix has shut down About New York but is still posting at The World Examining Works

Wednesday, September 4, 2013

Rose Under Fire by Elizabeth Wein, interview and review

Today author Elizabeth Wein is visiting our book review club to chat about her brilliant new novel, Rose Under Fire, the companion book to Code Name VerityCNV topped my list of best books of 2012 and won the Printz Honor award for young adult fiction. I expect her latest will be another crossover success with readers of all ages. Elizabeth Wein's lyrical prose soars and hits all of its targets.

Fans of CNV will be pleased to hear that Rose Under Fire features another World War II girl pilot and some old friends: Maddie, Jamie and the morally ambiguous Anna Engel. Although I'd advise reading CNV first for backstory, Rose Under Fire is a stand alone book with literary weight of its own. The story is broader in historical scope and also darker. Read with a box of tissues.

Summary: Rose Justice graduated early from high school in the USA so she could help the war effort in the UK. Raised on her father's airstrip, she is already an accomplished pilot, but women are given domestic air transport duty. Her British uncle pulls strings to get her assigned to a trans-channel flight. A jubilant Rose wings the Eiffel Tower in recently freed France. On the flight home, she vanishes. Rose's story of her time in a women's concentration camp is told in survivor flashbacks interlaced with poetry.

The former Ravensbrück Concentration Camp in Germany, photo by Elizabeth Wein.

Ravensbrück is a grim setting, but the defiant will of the prisoners and their camaraderie make for an uplifting story. My favorite was Irina, the Russian fighter pilot, who crafts model planes out of junk. There were so many strong female characters. However, the horrors of concentration camp life were not glossed over. Rose is beaten, hungry and cold, but she brings hope to her fellow prisoners by exchanging poetry for bread. Like the poetic mouse in Leo Lionni's Frederick's Fables, Rose shares recollections of happier times: good food, bright nail polish and a charming boyfriend. Through Rose, history is humanized. We feel her pain and share her dreams.
"Hope - you think of hope as a bright thing, a strong thing, sustaining. But it's not. It's the opposite. It's simply this: lumps of stale bread stuck down your shirt."
Rose's suffering is put in perspective when she befriends the teenaged girls and women in her cell. The Poles were used as experimental "Rabbits" by Nazi doctors. These rebellious Rabbits are anything but meek victims. They smuggle out messages to the world, but people can't believe such atrocities are true. Although the characters were fictional, they were based on real people and on survivor accounts.

Thanks to Elizabeth, a new generation will learn about the Polish Rabbits. Rose Under Fire was released in the UK this summer and will be available in the USA on September 10th, 2013. I'd highly recommend this book to mature teens and to adults. It would make for meaningful book group and classroom discussions.

I have a personal interest in this period of history. My great grandfather, Arthur Lamport, helped 750 Jews escape Nazi Germany and set them up on farms in the Dominican Republic. You can read about this true story in Tropical Zion by Allen Wells (2009).

Going back a bit further in history, my British grandfather-in-law, Colin Laurence, was a World War I fighter pilot. He was shot down while trying to bomb a German U-Boat base and was imprisoned in Holtzminden. Despite his head injury, Colin and his fellow prisoners tunneled out, were recaptured and then escaped a second time. This week those brave men (now deceased) are being honored in Germany. We named our first child after our family heroes.

Reviewer's Disclaimer: My father gave me a copy of Tropical Zion. Author/Professor Allen Wells teaches at Bowdoin College with my husband. I received a free digital galley of Rose Under Fire from Netgalley. Photos supplied by Elizabeth Wein and reproduced with her permission.

My Interview of Elizabeth Wein
Author Elizabeth Wein by David Ho

Sarah: What made you decide to focus on the Polish experimental “rabbits” of Ravensbrück? 

Elizabeth: I didn’t know about the “Rabbits” myself until I started reading survivor accounts, and when I discovered that their rebellion took place during the time when Rose was going to be at Ravensbrück, I knew that it was their story I wanted to tell. I’d wanted to write about Ravensbrück partly because it was a way for me to cameo several different women’s wartime roles from all over Europe: arrested university professor, terrorist Girl Scout, Soviet combat pilot. But when I found out about the Rabbits, I knew that this story was going to provide the framework for a real plot, not just a series of incidents.

Were there really terrorist girl scouts like Roz'a in Poland?

Yes. I so wish I had a greater knowledge of the Polish language, culture and history so I could write a in-depth story about them. There was a clandestine Girl Scout organization in Ravensbrueck, and they were responsible for saving some of the administrative records there when the Nazis began to destroy the evidence. Here are a few references to the amazing stories of the Polish Girl (and Boy) Scouts in World War II:

Why did you tell the story via an American survivor’s flashbacks?

I used an American voice to tell this story because I wanted to drive home how ordinary so many of these people were—how like us. I think that often gets lost in historical accounts. There were in fact a few Americans at Ravensbrück, though not many; I’ve got some information about them on my website, here.

As for the flashbacks, no survivor accounts are told “in real time.” I wanted this to sound like an authentic survivor account. I was also very impressed with Wanda Poltawska's And I Am Afraid of My Dreams, which she initially wrote in three weeks after the war was over, not long after her return home from Ravensbrueck. A friend had suggested that if she wrote down her experiences it might help her to get through her PTSD. That's where I got the idea for how Rose's story should be told.

Elizabeth Wein at Rose's age living in England. Photo by Katherine Kirkpatrick.

"Time cannot break the bird's wing from the bird.
Bird and wing together
Go down, one feather.
No thing that ever flew, not the lark, not you,
Can die as others do."

-Edna St. Vincent Millay quoted in ROSE UNDER FIRE

The narrative voice was convincingly authentic, and the dialogue sounded true to both the time period and the various nationalities of your characters. You're an American living in the Scotland. Do you share Rose’s Pennsylvania Dutch (ie. German American) background?  

Ha ha, you’ve found me out! Yes, I drew very much on my own background—and my grandmother’s—for creating Rose. It is really the first time I’ve ever done this. Not only did I use the Pennsylvania Dutch background as a cultural reference point, but I actually set Rose’s hometown in my grandmother’s hometown—Mt. Jericho is Lebanon, PA, and Conewago Grove is Mount Gretna. I also have a specific airfield in mind for Justice Field—Reigle Field in Campbelltown, where I got my American pilot’s license. It is still family owned and first opened as a civilian airfield in the early 1940s.

How did you research the other characters for authentic voice?

As for the other characters, it felt kind of cheesy to try to give them accents. So instead I had Rose make the excuse of “I’m going to write it the way I remember it, not the way she said it.” One of my linguistic tricks is simply to construct correct English sentences for non-native English-speaking characters using the syntax of their own language. It’s not too difficult for me to do this in French or German, but I’m not a Polish speaker. One thing I learned about the Polish language is that there’s no definite article. So I tried to avoid my Polish characters using definite articles when they’re speaking. With Irina, the Russian character, I just kept her statements very short and tried to limit her nouns and verbs—not because she’s Russian, but because she’s communicating with Rose in a language that neither of them speaks very well (French).

The flying sequences in your books take the reader along for an exhilarating ride. What motivated you to get a pilot’s license? 

My husband had a pilot’s license when I met him. We did a lot of our courting on trips to exotic (?) places in small planes (the Kenyan coast, the Isles of Scilly, Kalamazoo). One of our dreams—still a dream—was to fly across the U.S.A. But we figured we’d both need to be able to fly for such an epic journey. I used the advance from my second book, A Coalition of Lions, to pay for my flight training!

Elizabeth Wein with her flight instructor Montse Mas Arcos and a friend by a Piper Warrior (PA-28).

Did you fly your narrative routes? 

Most of my own flight experience has been in Scotland, so Maddie’s flight to Scotland was definitely based on that, but most of my “small plane” experience over Southern England and the English Channel has been as a passenger.

For big “narrative routes” like Maddie’s flight to France and Rose’s flight to Germany, I plotted the routes on a map—as though I were planning to fly them myself. I “flew” Rose’s flight to Germany via Google Earth, which is where I got the idea of having her first see Ravensbrück from the air—I “virtually” saw it for the first time the same way. Maddie’s experience of being shot at in the air, and her difficulties in controlling the Lysander afterward, were based on real Moon Squadron incidents described in We Landed by Moonlight by Hugh Verity.

For more about how I researched some of the flight scenes in Rose Under Fire, take a look at my website here.

Your books are beautifully written. Can you describe your writing and editing process? 

For both these books, I’ve had a few extremely loyal beta readers, but I don’t generally ask them for in-depth criticism. They help me with continuity and pacing more than anything else. (A couple of them read CNV in serial form as I was writing it, over a period of seven months. If you think reading it in book form is harrowing, imagine having to wait a couple of weeks for the next chapter! One friend said she felt like Anna Engel, impatiently rapping her nails against the table and snatching up each finished page before the ink has time to dry.)

Were any of your beta readers teenagers?

My daughter Sara was a beta reader at 14 (she's now 16) - she handed the ms. around to several friends in her class who were already fans of Code Name Verity.  She's one of those who connected more easily with Rose Under Fire than with Code Name Verity, and prefers it. It's one of only two books that have made her cry - the other is Bridge to Terabithia by Katherine Paterson, so I feel like I'm in excellent company!

What roles do your agent and your editor play in revision?

My agent (Ginger Clark) is not an editorial agent but she does occasionally give me broad suggestions. Most of the revision is done with the UK and US editors.

UK Cover
Other than the covers, are there differences between the British and American editions of your books?

There are slight differences between the US and UK versions, but I’ve had total control over that (I’m bilingual in English and English!) Rose Under Fire was put together by the same team as Code Name Verity.

As a writer, I know how an author lives in the world she/he is creating for months or years. Emotionally, how did you cope?

With Code Name Verity, very badly! I was an emotional wreck the whole time I was writing it and for three weeks after I’d finished. With Rose Under Fire, it was more subtle; I kept ruining everyday objects and foods and items of clothing by referring to them in the book. So now I can’t see a red bathing suit without wanting to weep, or wear stripes (I can’t abide stripes any more), or see the brand name Siemens (which is everywhere! On CCTV cameras on our street! On my grandmother’s hearing aid!) without shuddering. It’s like having a mild form of PTSD. It really is.

Incidentally, I did a bit of poking around on the Siemens website when I was trying to find out more information about their factory at Ravensbrück, and I was very impressed with their company history. They do an excellent, honest job of not glossing over the ugly part of the story while still maintaining pride in their present company.

What’s the best writing advice you received?

“Don’t get it right, get it written.” That’s James Thurber, but I first heard it from my friend and erstwhile writing partner Elizabeth Tyler, whose father used to say it.

Will you write about flying again? Can you share something about your next book?

I will and I am! But I don’t feel I can talk too much about my next book because it’s so unfinished and is subject to major changes. It’s set in Ethiopia in 1935 and there will be flying in it.

Your first young adult series was set in Ethiopia too; what drew you to that location?

What initially drew me to Ethiopia was that my aunt and uncle were in the Peace Corps there from 1968 to 1970, so I had a family connection. My uncle was the one who first told me about the ancient Ethiopian kingdom of Aksum, which is the setting for four of my previous books. I love the idea of revisiting this setting in a more recent era, but it's extremely challenging.

Fascinating! I can't wait to read your next book.

Thanks so much for your tremendous support and interest in my books—it’s a delight to be able to share some of the inside secrets behind their creation!

Best, Elizabeth

Thanks for joining us, Elizabeth, and best of luck on your international book tour!

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@Barrie Summy