Showing posts with label authors. Show all posts
Showing posts with label authors. Show all posts

Wednesday, May 21, 2008

Merton College Stories

Don’t you just love gargoyles? Actually this Merton one must be a “grotesque” as it doesn’t spit water. These little monsters crawl over many an Oxbridge façade, favoring high perches, drain spouts, hidden nooks and John Kelly’s Voxford blog. I’m so honored to be featured as Kelly’s gargoyle of the week. Look up when exploring the old colleges if you feel googlie eyes.

Merton is “the oldest college” at Oxford, a title it shares with two others: Balliol and Univ. They were all established between 1249-1264. The dispute centers around which started teaching first. Merton’s claim of antiquity rests upon being the first college in England to receive a royal charter. Its oldest quad has buildings without chimneys because the technology hadn’t made it to England from the Continent. College treasures are still stored in the stone buildings to protect them from fire.

Merton also houses the oldest continuously functioning English library (built 1278 -1378) in the world. Merton cleverly built up its library by requiring academics to bring and bestow their personal book collections to the college. They also had three ancient astrolabes and a couple of multi-locked chests that used to house books before the advent of bookcases.

Photo of Merton Library from Wikipedia

I wish I could have taken photos of the Merton Library myself. It was like walking into a wooden crypt or a sacred mausoleum of literary antiquity. The walls and stalls were oak paneled and the ceiling open to the roof beams like an attic. The tiny stained glass windows let in little light.

The best lit stalls housed the most learned texts in the hierarchy of knowledge: theology and philosophy, followed by law and medicine. The lower humanities were in the least favorable northern corners. The progression of subjects lead to enlightenment as in those days colleges were formed first and foremost as religious institutions.

In the darkest recesses the first year students of past centuries might be reading lowly literature. And what literature! There’s one of the first printed versions of Chaucer’s Canterbury Tales, and it’s in the best shape of the 8 existing copies. Priceless! Merton also has a second volume of Shakespeare. I had to take out a tissue to avoid drooling over all the leather-bound, chained books.

Perhaps I should have been trembling with fear. The Merton Library is haunted! John Duns Scotus supposedly walks shin deep, wading through the new raised floor. Students sneak into the library to see him at night. I heard this tale and others from our student guide, Krishna Omkar.

Merton is as rich in stories as it is in history. J.R.R. Tolkien had an office in Fellows Quad. He met with his buddy C.S. Lewis in the Merton gardens which are lovely on a warm spring day. They sat around a stone table, that was to feature in the Narnia series, and discussed their writing when they weren’t meeting at the Eagle and Child pub.

This is The Stone Table? It wasn’t large enough to kill a cat let alone a mighty lion, Aslan. As for the name Aslan, my son told me that it is Islamic. He has a friend from Iran who is teased mercilessly for that name at their English boys school. Kids can be so cruel, but I like that there is more to the Narnia books beyond a Christian allegory. It feels like a treasure hunt living in Oxford and uncovering the inspiration for classic literature.

Merton also has tales from more recent times. On the day that the clocks fall back an hour, old Mertonians gather in Fellows Quad by the sundial. At 1:57 am they drink a toast. Linking arms, they walk backwards drinking port for an hour! Don’t mock it. This ritual is the only hope we have of maintaining the space-time continuum. Needless to say, it is a modern practice dating back to the 1970’s. Yes, I know that for some of you that is ancient history. My daughter’s eleven year old friend referred to the Bee Gees as “this really old band from long ago.” She then added, “They were guys but sounded just like girls.”

Back when Oxford students were still dancing to those “oldies,” my husband was at Oriel. The Crown Prince Naruhito of Japan was at Merton. Naruhito was invited to a formal ball and was provided a suitable date but didn’t know how to boogie. Henry came to the rescue and taught the crown prince how to disco dance. Not to the Bee Gees, that would be cruel and unusual punishment, but to Soft Cell. An international crisis was thus narrowly averted.

Despite the demonic gargoyles, Merton is a spiritual place with a huge 13th century chapel that was originally built as a parish church. It supposedly has the second best acoustics in all of Europe. A microphone is never necessary. The screen to the chapel was Sir Christopher Wren’s first commission.

At the end of our Oxford Newcomers' Club tour, we had tea in the grand hall, quite typical of the old colleges. On the way home down the cobblestone road, I had a good laugh. This is where you can find the Philosophy Department at Oxford:

For those of you hungering for more Oxford tales from my husband, next week Henry will be guest blogging about Eight’s Week – an Oxford rowing race. He’s out there on the Thames/Isis today with an old Oriel buddy. They’ll probably do some “research” down the boozer too. Time to push off.

Wednesday, April 23, 2008

Best Pubs in Oxford


There are so many great pubs in Oxford, it was hard to choose a favorite among the 8 I reviewed. The Trout (above) has everything I look for in a pub: history, properly stored bitter (beer), real wood fires, cozy nooks, good food, country walk, pleasant outdoor seating and a peacock. Okay, I don’t usually look for peacocks, but this one came looking for me!

Book a table days ahead for dinner at The Trout. Stick to the pub classics like the best fish and chips or special savory pies. My kids adore the wood oven pizza. The hummus etc. plate is good for sharing. Perfect with a pint of Landlord’s. Sitting outside by the river, watching the sun set over Port Meadow, is bliss. You can get a full tea too.

Colin Dexter (creator of the Inspector Morse series) is a fan of The Trout as were other local authors. I’ve never seen Dexter at the pub, but I have passed him on the road while picking up my daughter from school.

The best way to reach The Trout in Wolvercote from Oxford City Center is on your wellies (rubber boots). Take the dog too! Enter Port Meadow from Jericho, and you have a nice 4 mile loop along the Thames/Isis River with The Trout at midway. The Port Meadow side is a muddy, boggy field with horses, cattle, geese, swans and migrating birds for company. It’s gorgeous in a frost or the rare snow.

At the north end of Port Meadow, cut through the car park, take a left on the Godstow Road and cross the bridge. Pass a sheep farm on your left and a community garden on your right. The Trout will be on your left before the next bridge (about 5 minutes).

On the way home, take a left, cross the bridge and turn left onto the Thames towpath by the Godstow Abbey ruins. At the end of the towpath, cross the footbridge back to Jericho. If you don’t have wellies, you can take the towpath both ways.

The less intrepid can take the Number 6 bus from Oxford City Center (near the Randolf Hotel) to Wolvercote Home Close (end of line.) You’ll have a 10 minute walk down Godstow Road. The Trout has a good size car park too, but then you’ll have to watch your drinking. Really! I live in Wolvercote. My English husband chose our house because it was closest to his favorite pub and country walks.

Back in college, Henry and his Oxford mates thought the journey to The Trout was well worth it. Mostly, though, Oxford students are lazy drinkers. They usually head to the college bar or to the closest boozer. Oriel and Christ Church students favor The Bear. Writer that I am, I can’t resist the sign calling itself “an historic pub.”

The Bear is tiny and authentic (1242!) During term time, crowds spill into the road. Wear a special tie only if you are willing to have it clipped for the impressive collection housed in glass cases on the walls and even on the ceiling.


The most classic but hardest to find pub is The Turf Tavern. Check out their website for funny visual directions or you'll never find it. It’s cozy inside and has plenty of outdoor seating in the courtyards. The Turf has been a favorite Oxford watering hole for centuries. It was mentioned in Thomas Hardy’s Jude the Obscure.

The Lamb & Flag was also cited in Jude the Obscure. It’s popular with students and is owned by St. John's College. The lamb and flag signify that saint. The visual signs were key in old pubs, serving an illiterate community.

I had an excellent pint of Pewsey Best, and Henry’s half of Spitfire was good too. Okay, I’ll own up. I ordered the Spitfire (half pint as we were visiting 2 pubs) and traded it for the Pewsey because it really was the best. Research, darling.

Great atmosphere at The Lamb and Flag. I wonder if they ever light the enormous fire? It was almost cold enough. April has been miserably grey and bitter with the exception of yesterday. Yes, I know you are wearing T-shirts in NYC. It might get up to 75 here – in mid summer!


Across the busy road is the most literary pub: The Eagle and Child (1650). C.S. Lewis, J.R.R. Tolkien and other friends met every Tuesday morning(!) between 1939-1962. “The Inklings” discussed books and their writing. They called the pub affectionately “The Bird and Baby.” Is the sign creepy or what?

On the walls are pictures of the famous writers, a framed letter to the landlord and even a commemorative plaque. Hey, my writer friends and I occasionally meet at Henry and Marty’s for a drink and dessert back home in Brunswick, Maine. We discuss writing, revising and publishing too. When’s the plaque going up?

Sitting in the Inklings’ corner is Henry, my best drinking buddy. He knows from pubs. The Brakspear (local Oxford brew) was divine and the Adnams Broadside was good. Add a packet of crisps (potato chips) and you’re sorted.

Looking for a big, easy to find pub? Go to The Kings Arms, smack at the end of Broad Street near my favorite bookstore, Blackwell’s. It draws a lot of tourists and students. The food isn’t so great, and I find the high ceilings lend a cavernous feel. Smokers on the outside benches and traffic fumes waft inside.

For you Oxford locals, this is all old hat, so I’ll name a couple of favorites more off the beaten track. Perhaps the most obscure good pub in Oxford is The Plough on Wolvercote Green. Take the Number 6 bus, get off at Wolvercote School, walk straight past the school and down the hill.

The Plough is on a meadow by the Oxford Canal with limited parking. You can also walk a couple miles to it from Oxford Center along the canal towpath. There is pleasant outside seating in the meadow (for those of you with dogs,) also an adjacent playground. It feels like a country village pub.

Sit in “the library” at The Plough. There's a working fire (gas), huge bay windows and lots of books. My daughter enjoyed reading J.H. Williams’s In Quest of a Mermaid (1960) while waiting for her kids’ menu dinner. My teenaged son loves the fresh chicken burgers. The food is really good value. I once had a delicious ostrich steak special, and they prepare fresh side vegetables.

The Plough’s food is not as tasty as The Trout’s, but you can always get a table and it’s much cheaper. Go there if The Trout is full or just for more peace and quiet. The Abbot Ale was mighty fine and the service very friendly. The Plough and The Trout are the best pubs for families or for a meal.

Avoid the two other pubs in Wolvercote by the end of the bus line. The Red Lion has bad food and lots of loud kids playing in the bouncy castle. Give The White Hart a miss unless you fancy a wide-screen TV playing the football (soccer.) Don’t confuse it with The White Hart in Wytham which is good for a pint, although the food isn’t as good as it used to be.

Closer in to Oxford Center is The Rose and Crown on North Parade. It is a 20 minute walk from Oxford Center and a good value for okay meals. I hear the ale is kept really well but didn’t sample it as I was working after lunch. Yes, I’m still revising my novel, S.A.D. I'll be back for a pint of Old Hooky, a local brew and favorite of mine.

The pink color both inside and outside was cheerful, and I saw more women at The Rose and Crown than at the other pubs. What I love about English pubs, is that they are friendly places for women and even families, not at all like American bars.

The English beer is cask temperature so you can really taste it (like fine red wine.) Lager is light, and bitter is darker. My favorite bitters are medium amber colored, smooth and rich like Hobgoblin. It shouldn’t be cloudy, too hoppy or sour – that happens when improperly stored or too old.

Riverside at The Trout for sundowners.

Pubs are often the social hubs of villages, but sadly many are going out of business due to the cheap cost of beer in supermarkets, high taxes on pub beer, stiff penalties on drunk driving (that bit is good!) and perhaps the recent smoking ban passed last summer [as reported in The Week April 18.] I for one much prefer pubs since the smoking ban – I’m going much more frequently now. You can expect several pub scenes in my English novel, Not Cricket.

If you know of other good pubs in Oxford, please add a comment below. Click on the “pubs” label to read more reviews. Cheers!

Wednesday, April 9, 2008

Oxford Literary Festival 2008

It was not without irony that Lionel Shriver announced that she would be the first to read “smut” aloud in Christ Church Library. At The Oxford Literary Festival Shriver read two sexually explicit but intellectually charged passages from her latest novel, The Post-Birthday World. Shriver takes a bold stab at what people really think about when making love. As she said, there is a limit to the number of physical combinations of which part goes where. Lionel didn’t blush once, her enunciation was as faultless and subtly nuanced as the most seasoned actress. The stage was set with leather-bound books housed in oak below ornate moldings, an ivory tower out the window.


It made me want to go back and reread her book; I blogged about PBW last May. A review in the Guardian (spoiler alert) claimed this work was her most autobiographical. Shriver left a long term relationship for the love of a jazz musician. Like her heroine and like me, Shriver is an expat American living in England. We were both dressed in black t-shirts and jeans, unlike anyone else in the silver-haired, tweedy audience. I confess to feeling comfort at hearing an American accent again, like finding an old friend.

The PBW has been called chick lit although it tackles deep issues such as the inspiration for creativity and even the conflict in Northern Ireland. It is still quite a change from the disturbing We Need to Talk About Kevin. Her Orange Prize winner was about a school shooter. A hand count showed that I was one of the few that had read her latest; most were Kevin fans and women.

I asked how she managed to defy genre typing and what her next project would be. Shriver was wary of “the women’s fiction pigeon hole” as she cherishes her male readers too. Her claim was that women read more books then men and are just as happy to read broadly. She did admit that her agent was nervous about her next novel: a reflection on the American healthcare system written in a male voice. As long as Shriver continues to write beautifully and honestly about controversial subjects, I believe her audience will only grow.

The Oxford Literary Festival lasts an entire week and is housed in Christ Church which many may recognize from Brideshead Revisited. The events were well worth the £7.50 admission just for the venue alone. I attended one where I sat at high table in Hall. If the space looks familiar, it was the model for the Hogwart’s dining hall in Harry Potter.

Even the entrance to the Hall and other conference rooms was beyond grand.

Of course nothing at the venerable college was accessible, so the panel I attended on "Disability in Writing" was housed across the street. The chair was the academic Tom Shakespeare. Susan Clow, manager of In the Picture spoke first about the importance of including disabled children in mainstream children’s picture books. It’s a more representational vision of reality, and inclusion sends the important message that the disabled are not invisible. Her website has many good tips for illustrators.

Susan Clow, Tom Shakespeare, Mark Haddon and Lois Keith

Novelist Lois Keith listed 3 approaches to avoid when writing about the disabled:
  1. “I wouldn’t wish disability on my worst enemy.”
  2. “He threw his wheelchair out the window to walk again.” (eg Colin in The Secret Garden)
  3. "Show the disabled character watching passively in the corner." (eg sweet Beth in Little Women)

The main draw of the panel was author Mark Haddon. A sharp-eyed reader will note that the chapters in The Curious Incident of the Dog in the Night-Time are all in prime numbers. Not once in the narrative is it spelled out that the engaging narrator with a number fixation has Asperger’s Syndrome. Haddon’s only regret was that the publisher added that information to the jacket blurb. His novel invites you to see the world through autistic eyes, but it is not a book about disability per se.

The Curious Incident is one of the best young adult books I’ve read; my son at age twelve loved it too. Encouraged by Haddon, I have included a disabled character in my novel S.A.D..

I attended the panel on Japanese Historical Fiction just for fun. I’ve always enjoyed reading novels about Japan. One of my favorite authors is Haruki Murakami. My husband teaches Japanese Politics, and my sister-in-law is Japanese.

Ellis Avery was worried that a 21st century American couldn’t understand what it felt like to be a 19th century Japanese girl. I applaud her choice of narrator: an American orphan, adopted by a Japanese family as a servant. The Teahouse Fire is as beautifully choreographed and unrushed as a tea ceremony. What drives the narrative is the complex relationship between the fictional maid, Aurelia, and a real historical figure, her mistress. Shin Yukako rescued the tea ceremony from obscurity in a rapidly modernizing Meiji Japan, just opening to the west.

What is striking about Avery’s story is that it reads like a Japanese novel. It reminds me of Mori Ogai’s The Wild Geese which is set in the same time period and is one my favorite novels. In both we see the attention to detail, the importance of family tradition, the theme of unrequited love and even the slow pace. What enlivens the narrative in Teahouse is a distinctly American feminist perspective, including a lesbian romance. It’s an unusual mix, but it works. I’m missing her voice since finishing the book.

I don’t have as much to say about Lesley Downer’s The Last Concubine because I haven’t read it. Like Avery's novel, it is set in 19th century Japan. Although Downer lived in Japan for 15 years, the only Japanese women she said she could relate to were geisha. She characterized the rest as married at 24, had kids, were gossipy, didn’t know men (even their husbands) and didn’t work. That isn’t the Japan that I know.

At the end of the readings, Avery delighted the audience by passing out Japanese sweets and conducting a tea ceremony. Avery has studied the art of Japanese tea for years. She held her arms as if wearing a kimono and moved with measured grace. Downer was an obliging guest, her role as ritualized.

On Avery’s website I discovered that we share the same literary agent, Jean Naggar. I introduced myself to Avery and her partner, Sharon Marcus; both teach at Columbia University. Oddly enough, they already knew me. They had googled “best tea in Oxford,” found my blog and enjoyed a decent cup of tea and lunch at The Rose. Professor Marcus studies 19th century women journals and said my blog reminded her of the travel journals from that time. Isn’t cyberspace a small world?

Another panel I attended was “Blogging the Classics” which debated book review blogging vs. newspaper literary criticism.

John Carey, John Mullan, Lynne Hatwell and Mark Thwaite

Mark Thwaite, founder of ReadySteadyBook.com and a librarian by profession, spoke on the value of book blogging as giving recognition to good but unusual titles. He listed 7 words that should be avoided when reviewing:
  1. poignant
  2. compelling
  3. intriguing
  4. astute
  5. craft
  6. muse
  7. lyrical
Uh oh, have I used them all? Thwaite posts a list of about 80 English book bloggers on his website at BritLitBlogs. Too bad there isn’t an American equivalent of this directory. Thwaite pointed out that there are a lot of blogs out there - well over 100 million tracked by Technorati alone. Diversity is a given.

Lynne Hatwell from dovegreyreader was an engaging speaker: modest, funny and forthright. Blogging about books is the way to share her passion. Her blog is a bit like mine, a mixture of reading and personal narrative. It’s more about how she feels about the books than a critical review. She lives in Devon and is a healthcare visitor who did a literature degree in her free time.

The panel’s literary critic was Professor John Mullan. Mullan said his academic training allows him to understand literature better than a layperson. He may know books, but it didn’t sound like the professor was that familiar with blogs. He spoke of people raving, hostility and chaos in cyberspace. The moderator and Sunday Times chief reviewer, John Carey praised the diversity in blogging, but Mullan didn’t recognize its value beyond entertainment.

Near the close of the festival, came the biggest surprise: 3 inches of snow! My kids made a snowman with grape hyacinth hair. Port Meadow looked like a holiday card complete with swans. I felt like I had conjured the storm as I was writing a new cross-country skiing scene for S.A.D. and was having a hard time remembering a Maine winter. I actually got the idea under a flurry of cherry blossoms. My revisions are well inspired thanks to the literary festival and the April snow.

Thursday, December 27, 2007

An English Christmas

A swan feather frost covered Port Meadow last Thursday, but it melted into mist long before Christmas. I remember one magical year in Britain when we awoke to a sparkling frost, but mostly a white Christmas in England means dense fog. Back home in Brunswick, Maine, they’ve had 28 inches of snow just in December. Our buddy, Pete Coviello was out ice fishing.

When it comes to Christmas spirit, the Brits snow anyone over. Our corner shop, the Post Box in Wolvercote, has covered every surface in tinsel with Christmas crackers (more on that later) hanging from the ceiling. Carl, another Brit married to an American, decks his shop out “for the children.” He sells what I would call miniature X-mas trees along with his usual supply of free range eggs, organic juices, fresh veg, milk and canned goods. It’s also our post office but only open a couple of odd hours on assorted days. There is something very small town American about a post office/convenience store. It brings a community together.

Oxford at Christmas

All of Britain basically shuts down over Christmas, a national holiday. Even the trains don’t run for two days. Holiday cards are clipped to red ribbons and hung from the moldings. Most have nativity scenes or pastoral scenes in snow instead of the ubiquitous family photos and Santas you see in the US. Christmas feels far less commercial in the UK although many Brits go into debt paying for it. Decorations will stay up until twelfth night. People say "Happy Christmas" instead of "Merry Christmas" or "Happy Holidays;" there is but one holiday for most of England.

We spent the long weekend with Henry’s family in Goring-on-Thames. It was a tight squeeze: 11 people and 2 dogs. The children helped their grandparents harvest mistletoe from the old crab apple tree. It spreads like ivy, clumping into balls – the male is yellowish and the female has the distinct white berries. They save a sprig for their house and barter the rest for a Christmas tree. Bits of holly are collected from the countryside to place over portraits of ancestors (that’s my husband’s great grandfather, Steven Cattley.)



Saturday was a “champagne” and canapés luncheon we all helped prepare for village friends. The English sparkling wine was surprisingly good. Camel Valley is in Cornwall. I met an old friend of Henry’s, the photographer Charlie Glover. His wife, Miranda Glover, writes women’s fiction just like me. We had fun talking shop and planned to get together soon. Like my character from NOT CRICKET, Miranda was at Oxford in the 1980's and recently moved back to the area. I’d love to meet her writer friends as I miss my support community in Brunswick. Writing is a lonely profession.

On Christmas Eve we had Christmas cake for tea. It’s a dense fruitcake with a two-layer frosting: marzipan then white sugar.

After tea we crossed the River Thames to Streatley to attend the children’s service at St. Mary’s. My son was christened in this 13th century church in a Georgian gown, a family heirloom. Note the small cars.

The service told the story of Jesus’s birth and invited the children to bring up the animals and figures to fill in the manger. Candles dripped as we sang carols. The children placed presents by the tree for underprivileged children.

On the walk back home, we stopped at the old Goring Mill. The woman who lives there creates a life size paper mache manger in her living room. The children count the little creatures (this year baby owls) and write the number down for a raffle. She also collects donations for her Swan Lifeline, aiding injured swans. My question is: why doesn’t the wealthy Queen look after her ailing swans?

At 6pm a torchlight procession gathers in Goring and in Streatley, convening in the fields for carol singing around a huge bonfire. There were hundreds, if not thousands, of participants. The flaring torches seemed to float above the river as they crossed the bridge.

To warm up, Henry and I slipped into our favorite Goring pub, the Catherine Wheel, for Hobgoblin bitter by the roaring fire. The pub was decked out for the holidays and full of families.

For Christmas Eve dinner we had lamb tagine followed by 3 puddings (English for dessert). The adults had mince pie, which is a miniature pie of dried fruit and minced meat or a substitute, which is topped with brandy butter and then drowned in double cream. For the children, my mother-in-law had crafted a Chocolate Log, which is basically a Maine whoopie pie: chocolate cake and whipped cream with a sprig of holly. Since I’m lactose intolerant (a sad fate in Britain,) she had made a caramelized orange pudding for me. We never made it to the stilton and port.

After pudding, it was time for Christmas crackers. Two people pull (or you circle round the table) and crack! Inside is a paper crown and dinky prize for the winner like nail clippers. Also a dumb joke eg: what do you call a person who's afraid of Santa? Claustrophobic! Dear Elizabeth, an elderly cousin, buys enormous quantities of crackers so that no one is a loser. "There can never be too many crackers on Christmas,” says she.

On Christmas morning the children woke before sunrise for their stockings. We had a candlelit breakfast of croissants since the sun doesn’t rise until after eight. It sets before 4pm. We are even farther north than Maine. My father-in-law gets little sleep at Christmas since he was out past midnight ringing church bells at both Goring and Streatley. Before having children, we used to attend the 11pm carol service. Never one to complain about duty, the Captain rang in Christmas morning as well.

Most of the grown ups headed to church and to champagne at a neighbors’ while Henry and I took the 4 children and 2 dogs for a walk along the Thames tow path. My nine-year-old nephew slid in over his wellies, and before we knew it, the 3 younger children were sliding down the muddy banks and jumping in the river with the dogs! It was raining so I hadn’t brought my camera. I was cold just watching them, but they have English blood.

It was a good distraction, as the children were going crazy waiting to open presents. This could not commence until after the Queen’s speech although my son suggested just watching it later on You Tube (half a million did!) At 3pm we gathered round “the telly” to hear the oldest British monarch (Queen Victoria is still the longest reigning) address her nation. Then it was time for more tea and gifts. I got 2 umbrellas! That scared the rain away, and we were treated to a rare sunset. Note the balls of mistletoe in the tree.

Christmas dinner in England is always turkey, roast potatoes and Brussels sprouts. My husband and his sister prepared the feast while the rest of us played charades. Their mother already made a traditional chestnut and sausage stuffing. There was also bread sauce made by simmering a clove-studded onion in milk (or, yet again, cream) and then dissolving breadcrumbs into it with seasonings.

The climax of the evening is the flaming Christmas pudding. Brandy is ignited that spreads to the sprig of holly. The pudding itself is alcohol infused fruitcake with hidden sixpences. The lucky make a wish on the old currency; the unlucky break a tooth!


Christmas was not over the next morning. On Boxing Day we journeyed out on the ancient ridgeway for a long walk. We passed through the site of the old Roman temple (below). The undulating greens were from a pastoral painting. An English Christmas is like stepping back in time.


Today it was 64F/18C! My son and I walked along the canal into Oxford. Last week's frost seems so long ago. Have a Happy New Year! It's been a fun first year of blogging for me, and I've enjoyed your comments. Thank you!

Wednesday, November 21, 2007

Philip Pullman on Writing Myth & Religion


I thought it was a joke: Philip Pullman, young adult author and outspoken critic of organized religion, in a public discussion with, get this, the vicar in a church. So it’s okay to be organized in a church so long as the topic is writing.

I grabbed my teenaged son, who loved His Dark Materials trilogy even more then Harry Potter, and joined throngs of Oxford students at The University Church of St. Mary the Virgin on October 22nd. What a dramatic setting: stained glass, vaulted ceilings and gargoyles dating back to the 13th century. I half expected to find a daemon lurking in the pews. The fantasy series was set in his hometown of Oxford in this universe and in others.

Philip Pullman fitted the collegiate venue. He looked and sounded more like a tenured college professor than a bestselling author and iconoclast. He was warm and friendly with his host, Canon Brian Mountford.

Pullman referred to himself as a “Church of England Atheist.” He praised the Bible for its beautiful prose and noted religion’s value in building community. Pullman’s quarrel is not so much with religion but that “the church abandoned people in my position.” He cited religious wars, persecution and intolerance.

The Church of England was an important part of his personal history. He seemed to regard it more like an eccentric relative than the enemy. When Pullman was only seven, his father died. His grandfather, an ordained minister, partially raised him. Pullman praised his beloved grandfather for being a gifted storyteller. Later Pullman claimed that parents could do better by telling moral stories as opposed to religious ones.

In a Hollywood minute, the conversation jumped from religion to the upcoming film version of His Dark Materials. When Mountfield asked if the adaptation was true to the book, Pullman replied that the film is but one in a long series of different ways of telling the same story. Since writing the novels, there have been abridged audio books, a radio dramatization and 2 stage plays. Each has a different emphasis that reflects the genre.

His Dark Materials film will have special effects not possible on the page. It won’t be the same because the book takes eleven hours to read out loud, compared to a two-hour film. Pullman also wrote some special scenes just for the movie.

What impressed me most was Pullman’s eloquence and lack of conceit. He seemed to see the writer as a tool in the process: “stories only come into being when you read them; you can’t tell the meaning.”

Pullman has no problem with readers having different interpretations or leaving questions unanswered. When writing, the author is a tyrant and the process is despotic. Once the book becomes published, it becomes a democracy of the readers. “Reading is engaged in silence and secrecy, and there is nothing I can do about it.”

Writing is still hard work. The Northern Lights (The Golden Compass in the USA) took Pullman seven years to write. It still isn’t faultless. “If you want to write a perfect piece of literature, write a haiku or a sonnet but don’t bother writing a novel.”

Nonetheless, Pullman appreciates the craftsmanship of forming sentences and the discipline of using words precisely. He frequently consults the dictionary and loathes clichés. His focus is as much on enjoying the medium of language as on telling the story. With experience writing gets both harder and easier. “It is easier because there are more ways to say the same thing, but it is harder to choose.”

What sets Pullman apart from most contemporary writers of children’s fiction are his literary references. His work draws heavily from the Judeo-Christian tradition and from John Milton’s Paradise Lost. His books resonate with the notion of fall and redemption. There is also a fair bit of science, including string theory, in creating his parallel universes and “dust.”

His Dark Materials leave readers of any age with questions. The biggest one is “what is dust?”

Pullman explained, “It is the visual analogue of all things known, all thoughts. What I call dust is what makes us what we are.” He avoided using the term soul but instead referred to the human “sense of consciousness.” The purpose of dust was “to develop a myth as a place to stand like in the Judeo-Christian tradition.”

I’m wondering how much of this will be clear to my ten-year-old daughter, who just started reading the series. To her, it is all about the daemons, those lovable animalistic beings that are the other half of humans. My daughter would calls them cute, little shape changers, but Pullman said they are the “aspect of oneself.”

Pullman claims that his best idea was having the daemons constantly changing form until their humans hit puberty. At heart, it is a young adult book dealing with this magical transformation from child to adult.

Biggest laughs came when Pullman answered the question of what would be his daemon. “My daemon would be a scruffy bird that steals from his neighbors.” He elaborated on how his imaginative fiction is rooted in research.

There is no doubt in my mind that his best character is the drunken, armored polar bear. Pullman created this creature and the dueling scene after reading an 1812 essay about fencing with a bear. His magic brings it to life.

The view from St. Mary's tower of Oxford

On the way out, we dropped a couple pounds in the church collection box. St. Mary’s also raises funds from visitors to the tower and by running a café called Vaults and Garden. The food is fresh and wholesome. Still, it’s hard to imagine any of this happening in an American church. That’s the fun of living abroad.

A blog is the ultimate democracy of the readers. What’s your take on Philip Pullman’s mythology?

Tuesday, April 17, 2007

Children's Author Cynthia Lord


“It must be something in the water,” Cynthia Lord surmised. Cindy’s first children’s book, Rules, just won a Newbery Honor Medal and the Schneider Family Book Award. We both live on the same street as Charlotte Agell who has published eleven children’s books. I guess I should drink more water.

Rules is fiction, but it rings true. Twelve-year-old Catherine tries to teach her autistic younger brother the rules of life. David has to be told that it’s okay to take his shirt off to swim but not his pants. Catherine creates the words to communicate with her paraplegic friend, Jason, and struggles to get her busy parents to listen to her needs too. The characters have challenges that restrict their lives but don’t define them. They find happiness on their own terms without a miracle cure.

When I read Rules aloud to my children, it made us laugh and almost cry. It was quite an accomplishment to create a book that would appeal to both a nine-year-old girl and a twelve-year-old boy, not to mention their mother. The book was flawlessly well written.

“Most books about autism are so sad,” Cindy said, “but a family has to learn how to laugh or they’re not going to make it.”

CYNTHIA LORD INTERVIEW:

Is there a true story behind your story?

When my son was first diagnosed with autism, I spent forty hours a week on Behavior Modification Treatment because Maine didn’t offer it. The state flew up experts from New York and paid for the student helpers I trained. It was worth it to see my son recover the words he had lost at eighteen months.

Now my fourteen-year-old son attends the junior high for special classes like cooking and art. It’s too noisy there for him to concentrate in such a big school, so he does his schoolwork at home. His seventeen-year-old sister attends the high school.

How did you find the time to write Rules when your son was only five?

I realized I would have to make time for writing or not want it anymore. I set my alarm for 4am and wrote every morning until my family got up at 7am. In four months I finished the first draft and then spent a year revising it with help from readers.

Was the road to publication as short?

The first two publishers rejected Rules but sent the manuscript back with helpful comments. I rewrote it and sent out a query letter and two sample chapters to four more publishers. One rejected it with a form letter, but the other three asked for the complete manuscript.

I loved the Scholastic Book Club as a child, so I granted Scholastic an exclusive read. Then September 11th happened, and everything ground to a halt. After eight months, I finally got a call from the editor saying they would be running some numbers and planned to acquire it. I realized that I needed an agent to negotiate the contract, so I called Tracey Adams in New York. We had met at a conference.

So why did the book not come out until 2006 – almost five years later?

As a first time author, I was put on the slow track. The manuscript went from one over-committed editor to a second one. There were revisions to add more drama. Even when the manuscript was ready, I was bumped off the list by established authors. New authors were the first to be cut when the list had to shrink for financial problems.

How did you deal with the long wait?

It was demoralizing, but I kept writing. Scholastic bought my picture book; it’s waiting for illustration. My second middle reader (grades 4-8) was pending senior editorial approval when Rules won the Newbury Honor Medal. Scholastic immediately made an offer on that book and another one I have yet to write.

What is the next book about?

Halfway Between Hope and Hurricane takes place on an island off the coast of Maine with a protagonist whose mother teaches at the school. I drew from both my own experience as a teacher on Chebeague Island and an historical incident on another island. In the 1960’s Frenchboro Island tried to head off closure of their school by bringing in foster children from the mainland. For me the ethical question is the most important part. Do the means justify the end?

You won’t have to wait too long to find out. Halfway Between Hope and Hurricane is projected for a fall 2008 release. Since the Newbury Honor, Rules has spent 10 weeks on the NYT bestseller list and is in its fourth run. Cynthia Lord is on the fast track!

Wednesday, April 4, 2007

Mixed Religions & Mud Season


On Monday night I found myself walking home in an April snowstorm. Around my neck was a Star of David and in my raincoat pocket was that Easter egg. It was the first night of Passover. Torn between two religions and trapped in mud season, it can be hard to find my balance.

Barb Swisher throws an Ukranian Easter Egg party every year. You melt wax over a candle and dribble patterns on an egg; then drop the egg in dye. Whatever was waxed stays white. More wax and dye dunks, and colors emerge like dawn. It takes a steady hand, tricky given the free-flowing wine and amusing conversation. In a room full of women my waxy squiggles became sperm. I blame all the estrogen.


Barb is a special ed. teacher and a ski instructor. Her husband is a commercial pilot who knew enough to retire early to bed. Their house reminded me of Cambridge, Massachusetts with its wood stained moldings and doors, bay window, eclectic furniture and a jungle of houseplants. Barb (standing on the right in profile) has a close circle of friends who met through their little kids, who are now soon to be heading off to college.


Maria Padian (second from the left) and Charlotte Agell (left of Barb) both write young adult fiction. Maria’s debut book is coming out next March; it sold in only a month. She writes that well. Charlotte is waiting to hear back from her editor about her twelfth book, and I’m as eager since I was a reader.

Both Maria and Charlotte have read for me too – it helps to have the support. As Charlotte said, “having a manuscript out there is like standing naked, waiting for someone to throw you clothes.” Charlotte illustrates her books, and her egg was as funky, bright and original as her writing.

I had arrived late to the egg party after taking my kids to a Seder at Bowdoin. My nine-year-old daughter sighed with relief when they made only the college freshman rise to recite the four questions of Passover, normally asked by the youngest child. It begins with: “Why is this night different from all other nights?” The answer tells of how Moses led the Jews out of enslavement in Egypt into the desert onto Israel. A Seder is designed for children so that the lessons of the past will never be forgotten.


I like to tell my children that the Last Supper was a Passover Seder and that the Jews and the Christians worship the same God. We celebrate a sampling of the holidays: Passover, Easter, Christmas, Hanukkah, Yom Kippur and Rosh Hashanah. My children attended Hebrew School for several years. At Christmas we go to see their friends perform the First Parish Church's pageant. For Easter Sunday we’re getting together with two Catholic families on Westport Island.

In England we return to Henry’s village church on the Thames. Our son was christened in a Georgian gown passed down through my husband’s Anglican family. My son’s Great Grandfather Eric lived just long enough for the christening. There were tears of happiness in his eyes as he gave his great grandson a silver mug that had been his.

Religion for me is more about tradition and family heritage than it is about belief. My father is Jewish and my mother is Episcopalian. Her mother was a Christian Scientist and her father a Congregationalist.

Raised among so many religions, it seemed only natural for me to take on religious diversity as a theme in my second novel. In S.A.D. (School Administration District) a Maine school board wrestles over adding Creationism/Intelligent Design to the science curriculum. Tangled relationships, gossip and quirky personalities interplay in small town politics. It's a dark comedy featuring a love story between a divorced naval wife and a lobsterman.

For research on S.A.D., I went to church. There are a large number of Catholics in Maine from the early French colonists and the Irish farmers who immigrated during the potato famine. In Brunswick there are two Catholic communities historically divided by the railroad tracks. On the downtown side are the French Catholics at St. John’s.

I attended the Irish Catholic church and was surprised by how casual it was. The choir leader is usually shoeless, and few people dress up. Afterward people hang out for doughnuts and coffee – there were many familiar faces. At this popular church there are three masses on Sunday and one on Saturday evening and on weekday mornings.

I was surprised to find that The Seventh-day Adventist Church was not that different. There were hymns and Bible stories with an uplifting sermon. The pastor was a well-spoken woman, and the pews were full of young families and the elderly. The evangelicals weren’t dancing in the aisle, although there was more talk of salvation and seeing the light.

Researching my novels has been a broadening experience for me. Like the weather, Maine is never what you’d expect.

Horses on Popham Beach last Saturday.

Wednesday, February 14, 2007

Literary Heroes


On Valentine’s Day it’s snowing and nine degrees. The kids are home from school with up to eight inches expected. They're outside, installing a second ice window in their fort. My husband is coming home rather than meeting me for a romantic lunch in town. Still, fresh snow is good, like a blank sheet of paper waiting for new words.

My favorite non-fiction author,Tracy Kidder, had “a problem of goodness” when writing Mountains Beyond Moutains. It is a chronicle of Dr. Paul Farmer's global quest to cure the poor of illness. Kidder explained to a packed auditorium at Bowdoin College last Friday that it is the reporter’s duty to dig up the dirty secrets. And yet Kidder couldn’t find a chink in Farmer’s armor. A friend had told me that Farmer is called “the saint” by his coworkers. He seemed too good to be real. “Honesty is necessary but not sufficient to make what you believe to be true to be true to readers.”

In order to make the book believable, Kidder inserted himself as a character in his book for the first time. He became the everyman foil to the selfless, brilliant Farmer and takes the reader along for a ride through a world of darkness, following the light of hope. We travel with Kidder and Farmer to poverty stricken Haiti, Russia and Peru and see first hand what a difference a small group of people can make in setting up clinics to cure the poor of TB and other illnesses. Partners in Health succeeded where governments had failed.

Kidder’s other literary problem was that he might alienate his reader. “Good provokes and makes us think about things we are not comfortable about.” Such as the fact that our American “life of privilege is built at least in part by misery elsewhere.” Employing the first person narrative, Kidder candidly shows how he, like you the reader, is less than perfect and even selfish. Even so we can still so do our bit to narrow the gap between rich and poor to a more “dignified poverty.” It’s a message of hope instead of despair.

At the end of the moving presentation, a preppy Bowdoin student turned to her friend and said, “Now, I want to be a doctor!”



I joined a long line of students and professors at the signing. Bowdoin senior Selina Asante was raised by grandparents in Ghana before moving to New Jersey. Like Farmer, she chose to study anthropology and science at college. After graduation, she will return to Ghana to volunteer with Unite for Sight. She found Kidder’s words inspiring as I did hers. Kidder was thrilled to hear about Selina’s plans from me. He said that his own daughter was in medical school but modestly took no credit for it.

Kidder, so well spoken and charmingly funny on stage, seemed almost shy when talking one-on-one unscripted. I was surprised that the author, who won a Pulitzer for his engaging book on emerging computer technology, had never read a blog, but he asked for my website address with the curiosity of a journalist. What I love the most about Kidder’s writing is how he sucks you completely into the world of computers, house builders, school children or health aid workers. His characters are believable and his true books read like novels, which was why I had wrongly assumed he was a computer nerd.

Then again Kidder also wrote Hometown about small town life in Western Mass. and his first question to me was, “You live here?” This from a man who had just visited Farmer’s plumbing free shack in Haiti! Maine in winter must appear equally remote and not the first place where you’d expect to find a blogging novelist in a black turtleneck and boot cut jeans. I love that when talented writers, like Kidder, come to Maine, I actually get the opportunity to meet them.

I met one of my favorite fiction authors, Haruki Murakami, in my mudroom. My husband was taking him out to dinner with other Japan scholars at Bowdoin. I had just that day finished writing the first draft of Moose Crossing. Odder than the talking cat in Kafka on the Shore was the reclusive author’s appearance in my home on that auspicious night.

Murakami was soft-spoken and surprisingly down to earth given the surreal, disturbing tone of his original work. With almost child-like delight, he spoke about discovering some rare jazz records at Vinyl Haven in town and found Maine charming. Murakami shared my joy in finishing a manuscript and wished me the best of luck in getting published. It must have been good karma because that draft of Moose Crossing led me to my agent, Jean Naggar.

There are many fine writers who reside in Maine. My favorite elementary school author is my daughter. She wrote a scary story, The Nevergreen Forest, featuring a white-faced witch with a “voice like fingernails screeching against the chalk-board.” Even adult writers can learn a lesson from her book. Remember to employ all the senses, not just sight, when writing descriptive prose, and draw from your own experiences even when writing fantasy.

When she grows up, my daughter wants to be a writer or a photographer (she took the photo of me on skis in the second blog 1/24/07.) With help from friends, she is starting back up the school newspaper. Always drawing, writing or reading, my daughter won’t leave the house without a notebook. She’s been very curious and excited about my book. I read only the first chapter of Moose Crossing to my children (with a few sentences removed.) They laughed and loved it. It’s fun to be a literary hero, if only in my nine-year-old daughter’s eyes!

Haruki Murakami photo by Marion Ettlinger.